By: Meg
9 Apr 2009Conference materials will appear on these websites:
Since it’s a digital conference, they created a video to open the day in lieu of formal opening remarks:
Josh Greenberg, Director of Digital Strategy and Scholarship, New York Public Library
John Palfrey, Professor of Law and Vice Dean, Library and Information Resources, Harvard Law School
Questions
Ann Wolpert, Director of Libraries, MIT
Charles Cronin, Visiting Fellow, Yale Information Society Project
More Questions
Mary Alice Baish, American Association of Law Libraries
Michael Zimmer, Assistant Professor, School of Information Studies, University of Wisconsin Milwaukee
Ted Striphas, Assistant Professor of Media & Cultural Studies; Director of Film & Media, Indiana University Department of Communication and Culture
Jessamyn West, Community Technologist, Librarian, and Blogger
Jonathan Zittrain, Professor of Law, Harvard Law School
Laura Gassaway, Associate Dean for Academic Affairs and Professor of Law, University of North Carolina School of Law
Jonathan Band, Technology and Law Consultant
Denise Troll Covey, Principal Librarian for Special Projects, Carnegie Mellon University Libraries
Kenneth Crews, Director of Copyright Advisory Office, Columbia University
Jeff Cunard, Partner, Debovoise & Plimpton
Guy Pessach, Lecturer, Faculty of Law, Hebrew University of Jerusalem
Frank Pasquale, Visiting Professor of Law, Yale Law School
Brewster Kahle, Digital librarian and co-founder of the Internet Archive
Yale’s Librarians on Parade movie was played
Where are we moving books and libraries to now?
By: Meg
30 Nov 2007
By: Meg
20 Nov 2007"Even though he's 83 years old, he's embraced technology, and he wanted to see more interactivity in his museum," says Warren Finch, director of the recently renovated and reopened library on the Texas A&M campus.
When it was built a decade ago, the museum offered 12 audio and visual exhibits. When it reopened Nov. 10, it had 90. Instead of just seeing a letter Mr. Bush wrote to his sons during the height of the Watergate scandal, visitors can press a button and hear him read it.
The improvements to the museum range from the very high-tech (a situation room with computer terminals where visitors can revisit some of Mr. Bush's key crisis decisions) to the very hands-on. Shelves in the family-history area contain framed photos that visitors are encouraged to pick up and handle.
By: Meg
20 Nov 2007
Shelf Check has been cracking me up lately. Today's strip provides some pre-holiday cheer.By: Meg
6 Nov 2007By: Meg
3 Nov 2007By: Meg
3 Nov 2007
I've now taught two (technically three, since the second was offered twice on the same day) workshops about Second Life, and I want to record my thoughts about teaching Second Life. Both workshops were for librarian audiences, but my plans and expectations for them were quite different.
While I was preparing for the workshop, I tried making a fresh outline of things to cover. This proved frustrating, because I knew between questions and my own tangents, I'd be constantly off-track. Instead, I wrote up a list of Second Life competencies--things I wanted the participants to learn or be exposed to during the course of the workshop. It worked brilliantly, and I worked in all the little details I needed to mention. It gave me some solid goals and something to work from, but no stress about doing it strictly in order. Without strictly timing things, I managed to keep on track too. This led to saying things like "now let's pretend you've all got your avatars looking just how you want them..." because we could do a whole separate workshop on appearance! When I got to the section where I gave them their goodie boxes and asked them to take them out of their inventory, then pulled my camera angle back to see all their avatars standing next to boxes, I was so proud.By: Meg
16 Oct 2007[Pecha Kucha] applies a simple set of rules to presentations: exactly 20 slides displayed for 20 seconds each. That's it. Say what you need to say in six minutes and 40 seconds of exquisitely matched words and images and then sit the hell down. The result, in the hands of masters of the form, combines business meeting and poetry slam to transform corporate cliché into surprisingly compelling beat-the-clock performance art.There's an example at the Wired link. (Digression: the example is about emotionally intelligent signs, a great topic for librarians, since we often need to enforce rules that are negatives--don't talk, don't use your cellphone, don't eat. How could we use emotionally intelligent signs to explain the empathetic reasons behind these rules and recast them in a more positive light? I think NSU Law's Dr. Einstein--BE QUIET (people are studying)--is a good example. Not that we still don't have to employ shushing as a reminder.)
By: Meg
15 Oct 2007Why do we need librarians when we have Google? Why do we need actors when we have reality t.v.?She also noted something else I completely agree with, and something that gets to the heart of why we're spending time exploring these 2.0 tools:
Also, we need to get away from the model that the customer needs to come to us. There should be an aggressive campaign on what we can provide to the customer. That includes materials and services.So true. We do ourselves and our patrons a disservice if we fail to explore all the possibilities for delivering services, sharing knowledge, and marketing ourselves. Not every single librarian needs to explore every single possibility, of course, but NO librarian should have his or her head in the sand, because "we've always done it this way" or "it works fine now" or a myriad of other excuses. 2.0 tools are just another way of growing tentacles to reach out to our patrons.
By: Meg
2 Oct 2007